sustainability
Lisa Hemingway, December 06, 2012 at 4:18 PM

Case Study: Engaging Community with Graphic Design

Steven Cretney’s approach to sustainable design starts by selecting clients and projects that help lead a transition to a sustainable future.

Design Challenge
The Kootenay Co-op is not your typical grocery store; it’s a retailer that has holistically supported sustainable living through organic foods and products, advocacy and education, and community funding and outreach since 1975. From its mission through to its buying and operational practices, the Co-op is a perfect example of an organization that is a sustainability leader.

With limited capacity and resources, the Co-op has always faced promotion challenges in a marketplace dominated by supermarket chains and cheap, unsustainable products. Lacking communication and design expertise, the in-house marketing team had been using a variety of styles and a number of inconsistent “logos” with no visual direction or focus for 37 years.

Recognizing the potential for greater impact with a compelling visual brand, the Co-op partnered with Steven Cretney of The Forest, a professional designer with a background in communications and a foreground in sustainability. The Co-op’s desire to undergo a branding exercise was accentuated by a plan for a major expansion into a new location.

The challenge was to design a visual identity package that would capture the essence of this iconic community hub, while providing the necessary support for the Co-op to sustain effective results with limited resources.

Strategy & Solutions
Throughout the process Cretney was mindful of embedding sustainability principles, explicitly choosing materials and processes that had the lowest environmental footprint, and using trusted suppliers and local vendors. Even rolling out the brand over time was a conscious decision to be more sustainable. “This allowed the Co-op to spread the investment over several years while reducing unnecessary waste,” explained Cretney. “Tossing out usable pamphlets, plastic name tags and in store banners just isn’t sustainable. In most cases we were able to repurpose them and defer the need for replacement by several years.”

For the initial roll-out, key pieces that anchored the new visual brand were designed; the logo, exterior signage, uniforms and marketing collateral. Cretney understood that the success of the Co-op’s brand would not lie just with its design, but with its integration and application. Building the capacity of the in-house marketing team was necessary. Flexible identity guidelines, user-friendly templates and training were provided so the continued implementation of the brand would not require reliance on outside support.

Result
The branding process has provided the Co-op renewed clarity and focus for its marketing and outreach efforts. The essence of the Co-op has been captured, effectively speaking to the Co-op’s positive place in the community, its rich history, and its continued commitments to sustainability.

The in-house marketing team now has greater capacity to effectively develop new collateral, enabling their creativity to flourish with a consistent style and tone. Staff and members are excited and it shows – from increased uptake of publications to members proudly sporting the logo on reusable shopping bags and coffee mugs. With this professional brand, the Co-op is better poised to successfully venture into its next phase of existence.

“As a designer, working with clients and projects that are creating positive and lasting benefits to the environment and society is the most sustainable thing I can do,” commented Cretney. “Yes, it is important to ensure projects use fewer materials and resources, but even more significant is ensuring my energy and skills are used to increase the impact of projects leading the transition to a sustainable future.”

Credits:
The Forest Communication Design: Steven Cretney, CGD
www.theforest.ca

Kootenay Co-op: Jocelyn Carver, Marnie Christoffersen, Deirdrie Lang
www.kootenay.coop

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Posted In: Sustainability
Lisa Hemingway, November 01, 2012 at 5:54 PM

Case Study: Cutting Carbon with Design for Micro Concerts

Seven25. Design & Typography promoted Beat Global Heat’s backyard carbon-cutting concerts through a share-able framework of printed and online media for local organizers.

Design Challenge 

Beat Global Heat brought in Seven25 to promote a unique event; ‘the Backyard Festival’ to a cross-section of music lovers and activists across Canada. 

The Backyard Festival was an opportunity to host summer concerts in residential backyards. The event drew family, neighbours and friends to enjoy music and socialize while encouraging participants to contact their political representative to implement a Federal carbon tax policy. 

Before the 2008 federal election, then Liberal Party leader Stéphane Dion proposed a revenue-neutral federal carbon tax policy, known as the Green Shift. It became a central issue of the election but was never realised as a result of the Liberal Party defeat to Stephen Harper’s Conservatives. 

Strategy 

All of the Beat Global Heat concerts were held on the same day, uniting participants spread across the nation. Swiderski said, “The premise of the project—having a concert in your backyard—was very exciting to us. The notion that you could invite strangers and friends to this private space for an event that is usually held in larger, or at least public, venues seemed to present interesting conceptual opportunities.” 

They targeted Canadian urban dwellers in their mid 20s to mid 40s who relished the opportunity to gather friends for a concert and have an impact on a political issue that mattered to them. This group was chosen as web savvy and motivated to make a political change. To promote the appeal of the project they focused on the uniqueness of that experience and tried to infuse playfulness in the visual language developed. 

Solutions 

Seven25 created a package for home-based concert organizers. Printed postcards and promotional posters were produced and mailed to concert organisers. They offered a letter-sized PDF of the small posters for organisers to print out as needed in their location. A ‘how-to’ guide was also available online as a downloadable PDF. 

The Beat Global Heat website became a hub to connect organisers, attendees, musicians and volunteers in Toronto, Vancouver, Victoria and Calgary. 

The large poster print run was limited and printed on 100% post-consumer fibre paper. The materials were sponsored and printed by Hemlock—a zero emission printer named Most Environmentally Progressive Printer 6 years running. 

Result 

The concerts took place across the country and yielded some memorable events. After the Liberals crushing defeat, the carbon tax proposal—clearly unpopular with voters—was unfortunately abandoned. However, carbon tax policies have been successful on the provincial level. At the time of publishing (May 2012) British Columbia has had a carbon tax policy in place for several years which you can read about here: http://www.fin.gov.bc.ca/tbs/tp/ climate/carbon_tax.htm 

Credits: Seven25. Design & Typography 
Strategy, Art direction: Isabelle Swiderski CGD Design: Jaime Barrett, Isabelle Swiderski CGD, Joel Shane Production: Steve Pinter Programming: Ryan Ilg Photography: Wendy D Printing: Hemlock Printers 

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Posted In: Sustainability
 
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